Zed A. Shaw, Painter

Honestly the Ricochet's features is all that anyone uses on the Whammy anyway. You can enable it to act with momentary instead of toggle switching, and control the pitch rise and fall time, so it then acts just like the foot whammy but better controlled. It is a power hog tho.

I forgot to mention there's a Source Audio foot pedal off to the right: https://www.sourceaudio.net/reflex-expression-controller.html … It's discontinued now, but basically it's an insane wah pedal that does MIDI in and out plus 3 expression outs. If you need to wah a ton of gear, this is the best.

But, most MIDI pedals like the MIDI Maestro and the Morningstar MC6 can take two expression pedals in and then do the MIDI translate for you, so it's kind irrelevant these days. Also I think the only people who use source audio gear are mathy fusion jazz bass players.

Finally that little Ep Booster is just a very nice very transparent very small very clean boost pedal, which you usually need if you're running a guitar through a ton of gear, and especially if you're doing looping like this. Next, I have to do a couple things:

1. I have to get the Gieger Counter into the main loop instead of the S/R of the plus. It's fun but it's kind of wasted there. 2. Clearly there's plenty of space still on this board so I need to fill that space with MOAR. 3. Continue to configure the HX Stomp and the MC6.

Finally is the HX Stomp: https://line6.com/hx-stomp/  I have mixed feelings on this little dude. It *is* a great sounding unit for the size. I mean, wow for how big it is this thing is powerful and easily controlled. But, it is clearly designed for a gigging musician.

I'm mostly running this into my studio recording setup, so it took forever to make it sound clean with no hiss. If you're playing live it totally doesn't matter, but there's lots of settings that sound like they were sampled off an 8 TRAK casette in a Firebird in the 1960s.