Zed A. Shaw, Painter

The Ricochet is really good if you like the Whammy: https://www.digitech.com/whammy-pitch/RICOCHET-V-00.html … I used to use the Whammy since I play a BassVI so double octaves sound great, but the original Whammy is bigger than my whole board. The Ricochet sounds the same and you just click a foot switch.

Honestly the Ricochet's features is all that anyone uses on the Whammy anyway. You can enable it to act with momentary instead of toggle switching, and control the pitch rise and fall time, so it then acts just like the foot whammy but better controlled. It is a power hog tho.

I forgot to mention there's a Source Audio foot pedal off to the right: https://www.sourceaudio.net/reflex-expression-controller.html … It's discontinued now, but basically it's an insane wah pedal that does MIDI in and out plus 3 expression outs. If you need to wah a ton of gear, this is the best.

But, most MIDI pedals like the MIDI Maestro and the Morningstar MC6 can take two expression pedals in and then do the MIDI translate for you, so it's kind irrelevant these days. Also I think the only people who use source audio gear are mathy fusion jazz bass players.

Finally that little Ep Booster is just a very nice very transparent very small very clean boost pedal, which you usually need if you're running a guitar through a ton of gear, and especially if you're doing looping like this. Next, I have to do a couple things:

1. I have to get the Gieger Counter into the main loop instead of the S/R of the plus. It's fun but it's kind of wasted there. 2. Clearly there's plenty of space still on this board so I need to fill that space with MOAR. 3. Continue to configure the HX Stomp and the MC6.