Especially modern Design's root in Futurism: https://en.wikipedia.org/wiki/Futurism Which was the foundation of fascism and a major inspiration of industrialization, the brutality of the machine, and methods of fascis propaganda.
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A hatred of industrialization seems to also call up the idea that "old masters" hand painted everything and never used efficiencies like optics, when we know they used lenses, projections, grids, and did small studies of objects then "shopped" them into their paintings.pic.twitter.com/6qYGrnqnex
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Paintings like this involved many many layers of oil paint, with each layer needing weeks to months to dry before the next layer. Flowers don't last that long, and many of these flowers don't bloom at the same time. Some of these paintings could also take 6 months, 2 seasons.
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You would start a painting in Fall and have to keep going until the end of Winter, and you can't get those flowers. There's also a finite number of flowers and only a few angles you need, so the old masters did the following:pic.twitter.com/V4SZRyb5kP
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1. When the flowers are in bloom do small paintings of them from the same light direction. 2. When they'd get a commission they'd reuse these flowers as reference and basically copy them. 3. These were kept secret, with assistants being yelled at for not locking "the cabinet".
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That, my friends, is systematization--or industrialization if you want to make people hate being good at making a product--so to say artists hate using systems is ludicrous. It's an entirely modern idea born out of the boomer's obsession with Freudian/Jungian psychology in art.
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In fact, every time I see someone whine and complain about being forced to bow down to The Man and create a design system, I almost always catch them using a homegrown system to get their work done faster. Macros, templates, tricks, brushes, special software, everything.
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So the idea that systematization of art is somehow anti-artistic is bullshit, and it's always been bullshit. Artists for millennia were professionals who made products and wanted quality, and to create that quality product they crafted systems & manufacturing operations.
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Just go read about Rembrandt's workshop and others from that era and you see it's a manufacturing operation. The atelier system of education is based on this even, where students learn aspects of painting by doing them in an assembly line style.
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Replying to @zedshaw
I find this thread fascinating! Thank you! Do you have suggestions as to where I might go to read more about this perspective?
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Start with Bright Earth: https://www.goodreads.com/book/show/43121.Bright_Earth … The history of pigments (and how art historians get them wrong) is a good launching point. Then for the dutch perspective read (or skim, it's huge): https://www.amazon.com/Embarrassment-Riches-Interpretation-Culture-Golden/dp/0679781242 … Then Carravagios Bio:https://www.amazon.com/Caravaggio-Sacred-Profane-Andrew-Graham-Dixon-ebook/dp/B005M5N1TU/ …
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