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zedshaw's profile
Zed A. Shaw, Painter
Zed A. Shaw, Painter
Zed A. Shaw, Painter
@zedshaw

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Zed A. Shaw, Painter

@zedshaw

Personal artistic explorations in pigment. Follow @lzsthw is for http://learncodethehardway.com  programming books and code stuff.

Miami Beach, FL
Joined June 2008

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    1. Zed A. Shaw, Painter‏ @zedshaw 26 Feb 2019
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      I follow this painter on instagram named Jullian Merrow Smith: https://shiftinglight.com/  He does these great still life studies of one fruit with great lighting. I never could pull off that lighting, then I saw 1 single second in a promotional video where he does this:pic.twitter.com/WOU3vhcZM1

      2 replies 2 retweets 12 likes
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      Zed A. Shaw, Painter‏ @zedshaw 26 Feb 2019
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      A fucking box? Why the hell didn't I think to create a light trap with a cardboard box? It's the first time I've ever seen someone do that, and I took classes from some of the greatest still life painters working today, and every video, and *nobody* came up with this.

      8:51 PM - 26 Feb 2019
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      • jimbo satoko Mark Eichin Anthony V. Christine Price
      3 replies 0 retweets 5 likes
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        2. Zed A. Shaw, Painter‏ @zedshaw 26 Feb 2019
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          In the past I'd have teachers tell you to use every damn thing around. Black book shelves with complicated black panels and light from here and there and cloth over this, but no matter where you put a light it will never work like this.

          1 reply 0 retweets 3 likes
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        3. Zed A. Shaw, Painter‏ @zedshaw 26 Feb 2019
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          The reason this works better than a light over the whole subject and black cloth backgrounds is the box acts as a light trap, which creates a softened edge where the light falls off into blackness behind. You can then turn the box easily to change light direction, or...

          1 reply 0 retweets 1 like
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        4. Zed A. Shaw, Painter‏ @zedshaw 26 Feb 2019
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          Push the objects deeper into the darkness to reduce the light on them, or pull them out to make them more bright, and that also controls depth AND the light is soft and diffused as it falls to black so the *edges* of the objects are very soft and controlled. It's brilliant.

          1 reply 0 retweets 2 likes
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        5. Zed A. Shaw, Painter‏ @zedshaw 26 Feb 2019
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          It's brilliant, and it's just a free cardboard box with a hole in it. It's simple little tricks like that which you can't figure out from looking at a painting, or sometimes painters won't even mention this as they think it's not important, but that little device helps a lot.

          0 replies 0 retweets 9 likes
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        6. End of conversation
        1. New conversation
        2. Eric Vitiello‏ @pixel 26 Feb 2019
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          Replying to @zedshaw

          This is really silly stupid simple. Love it.

          1 reply 0 retweets 0 likes
        3. Zed A. Shaw, Painter‏ @zedshaw 26 Feb 2019
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          Replying to @pixel

          Did you ever see my palette knife? It has a hole. I've patented it. Can you figure out what the hole is for?pic.twitter.com/BHVY6QMXFk

          1 reply 0 retweets 1 like
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        2. Zed A. Shaw, Painter‏ @zedshaw 27 Feb 2019
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          Replying to @hahnrobert

          Actually, if you have a reference of some kind that says this I'm curious. I'm serious when nobody ever mentioned it before but it is so simple right? Seems obvious.

          1 reply 0 retweets 0 likes
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