theatrestudies@wit

@WIT_BA_Arts_TS

Theatre studies is offered as a subject on the BA (hons) Arts degree at Waterford Institute of Technology. Email: theatre@wit.ie

Waterford, Ireland
Dołączył marzec 2013

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  1. Przypięty tweet
    15 sty
    Active Speech: Sharing Scholarship on Teresa Deevy with Irish Sign Language Translation 12th February - 19th February 2021. Share the Deevy love, share the Deevy scholarship, share the post to promote the conference!
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  2. podał/a dalej
    19 lut

    The Mint Theater Company streams, free of charge, a 2013 production of Teresa Deevy’s little-known play (password: Deevy) via

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  3. podał/a dalej
    19 lut

    Brilliant keynote on Teresa Deevy from Prof. Chris Morash as part of great conference of papers and talks organised by Dr. Una Kealy & bringing Deevy plays, archives and performances to light. Well done all!

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  4. 19 lut

    Professor Chris Morash provides a close reading of use of ellipsis and em-dash n her own and her choice of words, e.g. exultant’. He posits that the word signals “a particular state of mind”,

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  5. podał/a dalej
    19 lut

    All & & no doubt are thrilled that Dr Kearney will donate her archive on to us in Maynooth.

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  6. 19 lut

    Dr Eileen Kearney, a pioneer of Deevy scholarship, opening Part Two of the conference reminding us of the importance of generosity in academia and recognizes Sean Dunne’s contribution to scholarship. And now to Prof Chris Morash’ keynote...

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  7. 19 lut

    What a fantastic keynote presentation from Prof Ann Shanahan Purdue University at the conference—a moving, personal, richly-layered consideration of Deevy’s work through the lens of embodiment—A ground-breaking contribution to Deevy scholarship.

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  8. podał/a dalej
    19 lut

    Interesting to hear the degree of commonality across various works in terms of space and character & relationship of female character to space.

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  9. podał/a dalej
    19 lut

    Prof Shanahan speaking wonderfully, marrying the deeply personal and intellectual in her keynote

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  10. podał/a dalej
    19 lut

    200+ globally are signed up for this afternoon's ‘Active Speech: Sharing Scholarship on Teresa Deevy’ supported by , and More on why Abbey playwright deserves to be a household name:

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  11. podał/a dalej
    19 lut

    All attendees for todays awesome conference on - don't forget to check 'clutter' 'other' and (dare I say it) 'junk' email folders for the link to the conference - we don't make the email rules

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  12. podał/a dalej
    18 lut

    'Writing women back into the history of the Irish revolution' Women and the Irish Revolution editor on women’s central role in the conflict in today's

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  13. podał/a dalej
    18 lut

    Very excited to be speaking at the WHAI conference. I will be talking about rape in 14th c Ireland and and Elaine Pereira Farrell will be speaking in the same session. will be giving the keynote! Come along!

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  14. 18 lut

    On campus this morning, but where will I park the car?

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  15. podał/a dalej
    17 lut

    Clodagh Finn: Why Abbey playwright Teresa Deevy deserves to be a household name

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  16. podał/a dalej
    16 lut

    WOMEN AND THE DECADE OF COMMEMORATIONS, ed. , "offers us important pieces of the jigsaw puzzle of our history that we did not know we had lost but that we have been lost without."-Mary McAleese, former President of Ireland Coming March 2021!

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  17. 17 lut

    Good news on lots of fronts on the front page of the Examiner today! Thanks Clodagh Finn!

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  18. 17 lut

    The 'dream team' grinning that 200+ will attend Active Speech. See you all on Friday! A link to the live events will go to the email address you have supplied through Eventbrite on Friday morning.

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  19. podał/a dalej
    17 lut

    She was an early feminist who wrote strong female characters fighting to make the best of the social conventions that hemmed them in. You can join a conference on her work and see some of her plays on stage by registering free here:

    Pokaż ten wątek
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  20. podał/a dalej
    17 lut

    In the 1930s, deaf playwright Teresa Deevy was considered a genius when she wrote for the Abbey stage. Then the theatre stopped her commissions because they were out of step with conservative Ireland. She should be as well known as O'Casey and Synge.

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  21. podał/a dalej
    17 lut

    Thanks so much for writing about & celebrating her contributions to theatre & her sharp analysis of Irish life in her work.Find out more via the Derby archive and at the conference

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