Wilson Miner

@wilsonminer

Digital designer at . Really very tall. He/him

San Francisco
Vrijeme pridruživanja: studeni 2006.

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  1. Prikvačeni tweet
    14. srp 2019.

    Sometimes I miss when "social media" was just setting song lyrics as your AIM status.

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  2. proslijedio/la je Tweet
    10. sij

    Badlands (Malick, 1973)

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  3. 2. sij

    Love this from : “It comes free of the cultural baggage that afflicts so many fantasy stories, which strive so hard to be serious that they overshoot wildly, ending up in pure camp. The Witcher knows full well that it’s camp, and that’s okay.”

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  4. proslijedio/la je Tweet
    1. sij
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  5. 31. pro 2019.

    Little Women and The Witcher both use non-linear storytelling to organize the narrative around an emotional throughline instead of a chronological timeline, recontextualizing the source material while remaining faithful to it. In this essay I will...

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  6. 24. pro 2019.
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  7. 24. pro 2019.

    Critics: The Witcher is campy, tropey, horny, and batshit and we hate it. Me: Hm. Me (watching it anyway): This is campy, tropey, horny, and batshit and I love it.

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  8. 24. pro 2019.

    I want to follow more “weird” image accounts on Instagram, maybe especially focused on old books or esoteric artifacts. Any recommendations?

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  9. 17. pro 2019.

    Adam Driver walking out of a Fresh Air interview because Terry Gross played a clip of his most recent work is 100% the energy I am taking into 2020.

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  10. proslijedio/la je Tweet

    New fonts: The Söhne Collection. Söhne is the memory of Akzidenz-Grotesk framed through the reality of Helvetica. It captures the analogue materiality of “Standard Medium” used in Unimark’s legendary wayfinding system for the NYC Subway.

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  11. 16. stu 2019.

    In other news, I just watched Star Wars for the first time with my kids.

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  12. 16. stu 2019.

    I think there are few experiences I enjoy more than reading/watching something and then talking about it at length with another person. I used to have long phone conversations with my dad about what we’d just read. I still get the urge to call him when I get into something good.

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  13. 11. stu 2019.

    "What are some..." 🙈

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  14. 11. stu 2019.

    What some great modern examples of highly-configurable modular user interfaces? Realizing my whole mental model for this idea is frozen at "desktop creative apps from the 2000s".

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  15. 31. lis 2019.

    I usually avoid doing Halloween costumes. I talked myself into it this year by deciding to dress up like someone I wish I had the confidence to dress more like all the time. Photos by Ken Regan and

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  16. proslijedio/la je Tweet
    15. lis 2019.

    Today, and I wrote about our work on Stripe’s color systems over the past couple years. I’m so excited to share some of what we’ve learned along the way.

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  17. 15. lis 2019.

    I spent a lot of time working on this with last year, and I'm really proud of the outcome. We've been working with this color system for about a year, and it's made it dramatically easier to design, build, and maintain interfaces with accessible color contrast.

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  18. 3. ruj 2019.

    No, I'm not high, but I was listening to a Grateful Dead cover, so... same difference?

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  19. 3. ruj 2019.

    Music is such an implausible, amazing thing. Somehow we take these super-practical human primitives (language, math, tools...) and put them together in infinite combinations to transform sound waves into f e e l i n g s.

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  20. 23. srp 2019.

    I couldn't stop thinking about it. The like, fact of it. That people had podcasts. That they just had them. That podcasts were this thing people had. They could have podcasts together, like right now. I am, like, the sickest person.

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  21. 16. srp 2019.

    Bring back justwatchthesky.

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