.@wellerstein well sure, but the medium is the message, after all, and I think you picked a problematic medium.
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Replying to @AnnaNReser
@AnnaNReser Surely true — but there is little to do with nukes that is not problematic in one way or another.1 reply 0 retweets 0 likes -
Replying to @wellerstein
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@wellerstein eh, that's a cop out. If you of all people aren't going to be critical about representations of nuclear history, who is?5 replies 0 retweets 1 like -
Replying to @AnnaNReser
@AnnaNReser I think it's a fairly complex little piece of cultural work if I do say so myself. I do put thought into these things.2 replies 0 retweets 1 like -
Replying to @wellerstein
@wellerstein I see what you're getting at - it's a good impulse I just don't think you can overcome the banality of the calendar format.5 replies 0 retweets 0 likes -
Replying to @AnnaNReser
@AnnaNReser My major efforts are always about riding that line, because it's the only way anything gets beyond academic circles.1 reply 0 retweets 1 like -
Replying to @wellerstein
@wellerstein no objection to your intent here. Just as a design person, I think the calendar form works against your purpose.1 reply 1 retweet 0 likes -
Replying to @AnnaNReser
@wellerstein the form itself is about being noncontroversial and pleasing to look at.6 replies 1 retweet 1 like -
Replying to @AnnaNReser
@AnnaNReser High-end art calendars are a form of expression and decoration for homes and offices.1 reply 0 retweets 0 likes -
Replying to @wellerstein
@wellerstein@AnnaNReser have to agree with Anna on this one. Calendars are about celebration / fetishization, not nuanced ambiguity.3 replies 1 retweet 0 likes
@jstew511 @AnnaNReser The calendar is a thing you put on your office wall to a) look at, or b) self-represent when other people look at it.
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