I think about this a lot—Ira Glass on the virtue of taste in creative work. (But cf. Dunning–Kruger: how can we know if we have good taste?)pic.twitter.com/xZbQ8aEfKe
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Now you're getting my point. Taste on the production side is nothing more than an internalized critic as one of the compiler passes.
Ultimately taste is a critic's concern. In a producer its at best a super-ego that needs to be kept firmly in check.
Eg. George Lucas once said, "I'm now rich enough that I can afford to make bad movies the rest of my life"
taste is subjective, i will argue Venky's twitter avi has evolved more in the direction of commercially encoded tastefulness he abhors.
.Value is a meta-currency, denominations in ascending order: 1) highly liquid vague desires 2) semi-solid preferences 3) illiquid tastes
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