Key point that I think is unsustainable. Milieu-manners fiction that fetishizes a real culture that thought of itself as superior doesn’t really work unless you studiously maintain extreme historical ignorance.
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I work in women’s romance and I think the piece you’re missing is how compelling that kind of status romance is to mass market women, but also how woke mass market romance consumers are now. I don’t think all-white Victorian even gets a look now
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