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This is the multiverse-as-version-control origin theory. There’s also the quantum mechanics origin story. I suspect game trees, choose your own adventures, also played a role. I’d tag Groundhog Day as a transitional story (1 step backtrack time travel was quite clever)
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Replying to @vgr
i wonder if its a result of the comic book format where there is a ton of incentive to have reboots of popular characters. Then you have multiple versions of spider man or whatever, one dude decides to have a crossover episode, and then suddenly you've got a new convention
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I saw one article arguing that Wizard of Oz should be considered a multiverse but I think that’s just 2 distinct universes with vague rhyming. Not a counterfactuals tree.
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Distinct advantages over quantum mechanics or version control source metaphors. To some extent EEAAO utilizes an ML type mental model since characters can learn across timelines. But I think it’s not deliberate. Haven’t seen a proper ML-multiverse yet. Explore latent space etc.
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Surprisingly, the blockchain isn’t that fertile a metaphor for multiverses. But it’s an excellent metaphor for the liminal adjacent possible (a sort of epsilon-delta perturbation-deviation band of pseudo-realities that didn’t happen, like near misses band)
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This is my own main interest, and I wrote 1 short story I’m trying to develop into a longer thing. The adjacent possible is kinda distinct from both the multiverse and time travel, with some elements of both.
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if you go broader than blockchain, IPFS’ content addressing is an amazing concept. All content already exists, you just need to generate it to figure out its content address. And every tweak creates a new unique content address… but the sub blocks of content are still shared.
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