Very grateful TV rescued me from books before I got on twitter. I’d have already descended into full lolcow-hood by now if it weren’t for TV conditioning slowing me down
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Building on this. I guess this is my metamodernism thread now.
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Metamodernism is about breaking the zeroth wall
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Contrast “Breaking character” and “breaking 4th wall” and you’ll get why I am arguing character mask is the zeroth wall. Why you break it, you allow your performance to get entangled with your non-performance life.
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When “breaking character” is the character 
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Linking in my blog post last week, gathering some of these ideas
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Metamodernism often features a performer whose core theme is some extreme, lurid fear. Coupled with a Heisen-sincerity (you can’t tell whether the performance is ironic, and often they can’t either) and a demanding accessibility moat, it’s a way to manipulate high-IQ midwits
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It’s weaponized nerdsniping at scale.
Step 1: Identify a deep, irrational fear to tap
Step 2: Build an obscurantist bullshit theology around it
Step 3: Craft a special language to gate access
Step 4: Present the fear as an ongoing performance
…
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Step 5: Reward those who work to acquire literacy in it by validating their conclusions forcefully and creating a cult of weird certainty around it
Step 6: Claim oracular legitimacy in the entire territory appropriated by the performance (“this is the only source of truth”)
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This is… not a good thing. I’m realizing now that I’ve mapped the pattern that metamodern performances are all over the place. They’re much more sophisticated than mere conspiracy theories because they don’t require a supposed hidden secret world to work with
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Yes, I’m subtweeting anyone and everyone you think I’m subtweeting
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This is why metamodernism seems to naturally go with a kind of messianism
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Replying to
Hmm. Maybe that’s the definition of metamodern fiction proper — fiction that manages to cage metamodern performances in a form they can be contemplated without inducing the derangement syndromes the wild versions tend to.
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Oh yeah. Eg Jared Leto joker
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Replying to @vgr
Yep, this is the (increasingly tiresome?) -- "look at what actor did to prepare for the role!" e.g. lose/gain weight or "act like a dick because the character"
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If you get a sense of a “actor-director’s commentary” on dvd extras where the role is “messiah,” but it’s nominally part of wild reality rather than framed by a theatrical boundary…you’re watching an advanced kind of metamodern performance
A kind of stereo vision effect
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Yet again I’ve managed to tweet my way from light-hearted fun analysis of tv stuff to depressing conclusions about humanity. You all suck.
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Replying to
In this particular context, good fiction is something like rick and morty while bad fiction is something like atlas shrugged
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Replying to @vgr
what constitutes 'good' fiction?
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