Once you see this, you learn to appreciate the few nuggets of storyworthiness you can find in a typical life if you can filter out the cliches with the right questions
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This is the lofty version of the conceit 🤣
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Replying to @vgr
my man, you don’t know what a cliche is. cliches arise WHEN people think people are interchangeable. the reality is people who can tell interesting stories can do so because they can see the things that make each life interesting.
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Mathew Dicks’ Storyworthy at first glance appears to suggest that all lives are Storyworthy, but when you dig in to the techniques and examples you realize he’s expertly drilling for the 1% rather than elevating the 99%. And he’s had a particularly colorful life too.
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People who are eager to individualize relationships often are flatteringly interested in the dullest of everybody’s stories but that’s a poor standard. They’re more like r/relationships nerds than story connoisseurs.
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The US has a culture war aspect of this going. Every “diverse” story is automatically storyworthy by fiat for the left, and every rustbelt hillbilly story is automatically storyworthy by fiat on the right. The result is the dullest stories all around.
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Lol
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Replying to @vgr and @venkinesis
Reminds me of a Schankian story
I was an AI grad student at a DARPA workshop in FL
My hotel check-in line was long, because the guy at the head of the line was shouting "Do you know who I am?". I had never heard anyone do that for real
It was my advisor's advisor Roger Schank
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“Your life story is both unique and good. But the part that’s unique is not good, and the part that’s good is not unique.”
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My life so far has about 5 storyworthy days in it by own standards of interestingness. Assuming average competence at extracting and telling. I suspect I’m somewhat under par. Most people have more material to work with.
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I actually unironically like stories that aggregate vast numbers of individual stories into mass streams. Very few stories fo that. Most pick out and center a special story.
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Relatedly, I really dislike “story” journalism that tries to pick out a human interest through-line to make big stories relatable.
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About half way through the Decameron right now and 14th century Italy stories are as dull and interchangeable as ours. But interestingly it is the incidental now-historical details that were clearly casual for Boccaccio that make it worth the read for me in 2021.
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100% - I also hate all of The New Yorker style bullshit that spends 1000 words describing the doctor's office and weather instead of the discovery they made.
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It’s kinda both condescension and a projection of their own limits to think readers need those crutches.
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I think this is a misconception. The story is some emergent mix of mythologized history, oral traditions, and retconned additions by hundreds of contributors. The Gita was a late addition put in to take advantage of the raw material. Good stories tend to precede philosophy.
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