But I don’t want stylized Jekyll-and-Hyde examples like Dexter or Tyler Durden. More pure paradigm examples. I think it’s more commonly a comedy archetype because in drama, unless you create mannered justifications, the character will realistically crash and burn too easily.
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It’s more commonly a female character type, not sure why. Male shadow-driven types always end up too stylized to be interesting. Or in a safely socialized role like the town drunk. I’m racking my brain and failing to come up with good male shadow-driven characters.
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In real life the shadow-driven type seems equally common in teenaged boys and girls but in adulthood it is rarer in men. Possibly because it’s hard to survive in that mode too long outside of rare careers like music, and harder for men to go dependent.
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But women can more easily stay shadow-driven if financially dependent, which is more acceptable socially.
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I don’t quite get the logic of shadow-driven characters and how they behave. Like what would be a good hack for writing them?
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My frame: They’re smart but they’re scared. They’re working jobs they don’t like, but they make too much money to walk away. They don’t want to admit that it’s simple cowardice keeping them in an unpleasant environment, and so they expend tremendous energy mocking, attacking, etc
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But not too much, not too hard, not in a villain way. Bc that requires courage, or fearlessness. Fundamentally, cringelords are scared. They don’t wanna die, they don’t wanna go broke, they don’t wanna be laughed at, they’re very judgemental and they fear being judged themselves
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Sounds close but seems a bit too legible and integrated to be a shadow-driven motive. Jeff is more like a weak self than a shadow in charge. On Seinfeld, George is weak self, Kramer is shadow in charge, though neither is well developed along that dimension.
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