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u could use light/dark crossings on this table to map character arcs: Michael Clayton = dark adulthood -> light act2; Inside Out kid = light childhood -> dark adolescence -> light adolescence ("learn to regulate emotions" !); Nightcrawler = dark emerging adult -> light adult;
took me a minute to see it, but yeah, powerful narrative combinatorics in the crossings hmmm
scope of a movie seems to allow articulation of one crossing; setup your main character deep on one side but in scenario demanding different stage or side. big diagonal crossings seem to be more archetypal; minor crossings within same life stage are more dark comic (coen bros)
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