But Problemist energy fields... they have plans for you. They traffic in scarcity games around problems that need to be kept alive and managed to perpetuate the institutions. Cultural producers are more important in this scheme of things and their freedoms are reined in more.
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Time, as it turns out, is too deeply woven into the fabric of reality for anything to escape it. At best you can hope for something to be periodically fashionable again, or worth resurrecting/transposing to new keys for new times. A classic is just a historical-seasonal fashion.
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Why 80%? I guess a lot of processes, patterns, psychology etc remain the same, even if the 'cultural mix' ratio changed a lot. Do you feel it's 80% only because the broad narrative is no longer relevant, or you think there are some fundamentally new constituents?
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random guess
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