It’s not so much that it’s harder or different. It’s the same kind of thinking. It’s that everything takes 100-1000x longer because there’s a 100-1000x more interchangeable detail to lock down. And if you don’t make an active effort to make it interesting, it’s boring by default.
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Fiction is going to be harder than engineering, but ultimately it’s the same sort of problem — working in bigger design spaces and binding a greater proportion of interchangeable detail in opinionated, influential ways, that go beyond nominal function and feel more like home.
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In a way, this is the purpose of all synthesis, construction, creation etc. To make ourselves more at home in the universe rather than understanding it. Turning abundance into serendipity, and the apathy of the universe into serendipity. Immanetize the eschaton etc.
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I think this is fundamentally the appeal of fiction of the sort represented by Iain M. Banks Culture novels. They are about presenting a vision of a benevolent domestic cozy universe, engineered for human delight. The fully-automated-luxury-gay-space-communism is a side effect.
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