I’ve mostly been on the analysis/destruction/maps side as both an engineer (math/models over making) and writer (nonfiction over fiction). Now in midlife, I feel myself changing gears on both sides. And the biggest challenge is just the excruciating slowness of creation.
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Many engineered artifacts are already featuring a high percentage of machine-generated design content. Mostly in hidden parts we can’t see, otherwise we’d be creeped out by the clearly alien aesthetics at work. This isn’t AGI btw, nor a portent of it. This is narrow, closed AI.
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Fiction is going to be harder than engineering, but ultimately it’s the same sort of problem — working in bigger design spaces and binding a greater proportion of interchangeable detail in opinionated, influential ways, that go beyond nominal function and feel more like home.
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In a way, this is the purpose of all synthesis, construction, creation etc. To make ourselves more at home in the universe rather than understanding it. Turning abundance into serendipity, and the apathy of the universe into serendipity. Immanetize the eschaton etc.
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I think this is fundamentally the appeal of fiction of the sort represented by Iain M. Banks Culture novels. They are about presenting a vision of a benevolent domestic cozy universe, engineered for human delight. The fully-automated-luxury-gay-space-communism is a side effect.
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But Autodesk represents the failure of ML solutions in these domains. Sure there are details but they are a) spurious, not even interchangeable and b) come at the cost of core functionality. The AI is just making paperclips
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Designs no human would think of are also designs no human would relate to. In the end, the way our brains personalize worlds is relational — that “opinion” is a relationship we detect or create — and it’s relational between details but also between us.
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