Venkatesh Rao

Nonfiction/math are like absolutist dictatorships, where the set of interchangeables is much smaller than in a democracy and does not include most who would be included in a democracy. They can be suppressed/disenfranchised. Though sometimes they may fuel a popular uprising.

Sometimes you may choose to elevate a detail from interchangeable to influential. Hercule Poirot and James Bond are names loaded with symbolism that shape the story. Otoh, Ross, Rachel, Monica, Joey, Chandler could easily be a million other names and it would make no difference.

Fiction and engineering are so full of detail because they must either become part of reality (engineering results in real things) or present a sufficiently realistic illusion of it to allow immersion. But the theoretical cousins don’t need to be.

Or in the case of engineering, consider the vast gulf between the schematic CAD drawing of a minimalist widget vs the widget itself. Where widget = coffee mug, armchair, iPhone body...

The point is, don’t confuse the minimalism or lack thereof in a design for there actually being fewer details that need binding. When people get lazy about binding details using minimalist aesthetics as an excuse you end up with designs or stories that don’t work at all.

I like minimalism done well where there is no good reason to complicate things, and so long as you you don’t sacrifice details that matter (a la infamous Apple puck mouse). I’m not a fractal-fetish trad, prizing texture in fiction/engineering for its own illegibly vitalist sake.