This 2011 essay by makes a similar point.
“the political implications of retromania are disconcerting… we are kept contented by access to a vast museum of musical memories that used to signify, among other things, rebellion and invention.”
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I like the @SimonRetromania theory that music as a process of linear development and innovation ended at some point in the 90s. So really, what is there that's new to say? jamesdrever.co.uk/blog/retromoni
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