The interesting thing is that competing interpretive dance aesthetics evolve around the *same* event, with projected grammars, tropes ,and apophenia patterns. And people who just want make sense of the event run afoul of those building interpretation institutions.
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Principle: sense-making shouldn’t make sense. Methodological anarchy ftw. If your sensemaking approach is consistent across events and time, it will quickly turn into a mirror for your ego and stop being a lens on the world.
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yeah, because culture at large, media, politics and discourse rewards dunking on somebody, gotcha! politics more than any meaningful (more difficult) discussion or articulation of shared sensemaking.
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