Oh, right. Joseph Campbell’s younger brother Buzz Campbell's "The Model Staycationer"
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Led to scriptwriting handbooks “Leave The Cat” and “What Cat?”
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It’s interesting, then, that a disproportionate amount of the stories we (as a society as a whole) tell are hero’s journey stories.
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It's pointless to try to taxonomize heroes because what's heroic is always in contradistinction to what society is capable of producing on command. So you start by looking for heroes in the amoral, and then that comes into vogue, and suddenly all the greatest heroes are moralists
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