Speaking of escapism, Buck Rogers, who launched modern space fiction first appeared in 1929 at the start of the Great Depression, and Flash Gordon followed through the 30s. Unlike Jules Verne’s stuff which had a Victorian gentleman-adventurer thing going, it was modernist.
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Notably both are academic/professor/nerd types. So to do a Buck Rogers style reboot of social engineering temporality fiction, with a real post-chaos-theory psychohistory, we need a different kind of protagonist. And a different milieu, not a pair of foundations.
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This story I wrote in 2016 was me throwing my hat in the ring, and the stake in the ground for my temporality fiction extended universe (currently at 3 novel length outlines). I have a few more parts kinda almost written and ready to go.https://www.ribbonfarm.com/2016/08/25/the-liminal-explorer-of-the-adjacent-possible/ …
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I’m considering starting a new paid email newsletter to serialize it and the rest of my temporality fiction extended universe. Ribbonfarm is not quite right for it. Asimov wrote most of his stuff in the golden age of serialized fiction in magazines likes Amazing/Astounding.
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Serialization is a really underrated way to do fiction. For some reason modern publishing has convinced us novels should be written in private and then released all at once to be binge read. Dunno why. Marketing simplicity?
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Dickens serialized, Asimov serialized... good enough precedents for me. I doubt we’ll get back an era of golden age style magazines. That energy has moved to TV. But email newsletters. Hmm. Really tempting place to experiment with serialization again.
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I find I really can’t do more than about 15,000 words without a publishing feedback loop and I’ve decided not to fight it. The one long book I wrote without such a loop (Tempo) was based on earlier “serialized” academic work produced as talks/papers so doesn’t count.
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End of conversation
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The Second Foundation Trilogy of the 3 B's tried to update the science (but not the setting) to chaos theory.
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