watching 'good morning.' what is this coloration and why is it satisfying?pic.twitter.com/4Zu4HtMCO5
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The frames you’ve shared all have a very square-on camera line of sight, aligned with one axis of the geometry of the scene. Like stage view. No oblique lines of sight at all. Is that the style or just an accident of the examples you’ve chosen?
not sure how i would define an 'oblique' shot. he does do some shots that are more angled, or with some occlusion in the foreground, as well as lots of shots where the action is very deep in the background, even if the composition is fairly head-on. [1/2]
but on the whole these shots are pretty representative of his style. the moma website has a good explanation of how his cinematography tends to emphasize intimacy https://www.moma.org/artists/26656 [2/2]pic.twitter.com/IybWzqvUL9
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