Isn’t that the point of poetry
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Oulipo also comes to mind https://en.m.wikipedia.org/wiki/Oulipo
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house of leaves? tao lin?
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I tend to think of Raymond Carver as a "hack" in this sense. It's easy to understand how he achieved certain effects when you look back at the text with a critical eye. But the effects are disarming.
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Yeah, he hooked into a specific mental state
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which brings to mind the story of how the censored line "I want to have your abortion" in the original script of Fight Club was replaced with "I haven't been fucked like that since grade school", which i guess resulted in the censors just cutting their losses
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Anthony Burgess, “A Clockwork Orange”; Herman Melville, “Moby-Dick”; Twain, “The Adventures of Huckleberry Finn”; much skillful dialect fiction
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Roger Zelazny's hobby of occasionally putting a page-long grammatically correct sentence in a piece (most memorably in Lord of Light) comes to mind
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