Tony Paley

@tpaleyfilm

If I'm not here I'm at the movies. Racing editor at Guardian and Observer and contributor to Guardian Film.

London
capitalcelluloid.blogspot.com
Joined November 2010
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  1. 8 hours ago

    . on the new version of the film COUP 53 recently put back into circulation ...

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  2. 12 hours ago

    ... got a copy here if you need one ;)) ...

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  3. Retweeted
    Jan 12

    : Fri Jan 22: investigates that ending in landmark American drama THE GRADUATE (1967) ... ... which is on Sony Movies Classic 9pm ...

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  4. 16 hours ago

    “Hold the front .... aaaggghh!”

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  5. Jan 21

    Just finished MY GIRLFRIEND’S BOYFRIEND (Rohmer, 1987)

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  6. Jan 21

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  7. Jan 21

    I buy both. What are you doing as journos if not reading your closest rival’s product?!

    And we hear the front page duplication is merely a "coincidence" as staff at the New Statesman haven't seen a print copy of The Spectator since last March
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  8. Jan 21

    : Thu Jan 21: The Thursday film club continues to provide great programming ... Pakula’s superb political thriller ALL THE PRESIDENT’S MEN 9pm ... capsule review

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  9. Jan 20

    This piece in by the film’s saviour Ross Lipman is well worth a read

    ... and there’s this excellent primer for SPRING NIGHT, SUMMER NIGHT from Jan 2012 by Ross Lipman
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  10. Jan 20

    SPRING NIGHT, SUMMER NIGHT (1967) is a stone-cold lost classic ... still on but also now (screening FREE) h/t

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  11. Jan 20

    Classic cover.

    So. Farewell, then: the new edition of Private Eye is on sale now!
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  12. Jan 20

    : Wed Jan 20: ‘A gripping film noir, all the more effective for being staged by Milestone as a steamy romantic melodrama’ Tom Milne (I miss Tom Milne) ... THE STRANGE LOVE OF MARTHA IVERS (1946) 10.30am

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  13. Jan 19

    : Fri Jan 29 — ‘Writer-director Cory Finley uses the clipped dialogue of film noir to heighten the sense of menace’ in transgressive psychological thriller THOROUGHBREDS (2018) 12.10am

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  14. Jan 19

    : Thu Jan 28 — “There was theatre (Griffith), poetry (Murnau), painting (Rossellini), dance (Eisenstein), music (Renoir). Henceforth there is cinema. And the cinema is Nicholas Ray” Jean-Luc Godard ... Ray’s war movie masterpiece BITTER VICTORY 11am

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  15. Jan 19

    : Wed 27 Jan — ‘the film cleverly captures the confusion of optimism, cynicism and money-grubbing greed of the 'never had it so good' years.’ ... Guinness outstanding in ... OUR MAN IN HAVANA (1959) Sony Movies Classic 6.35pm

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  16. Jan 19

    : Tue Jan 26 — ‘subtle comment on privilege that’s suddenly very relevant ... it’s a brilliant story, expertly told. It’ll have you asking yourself, ‘What the hell were they thinking?’’ Difficult to categorise AMERICAN ANIMALS 9pm

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  17. Jan 19

    : Mon Jan 25 — ‘A fascinating, if flawed, example of the film industry turning the lights on itself and finding nothing there but darkness.’ THE DAY OF THE LOCUST (1975) looks well worth reevaluation 10pm

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  18. Jan 19

    : Sun Jan 24 — ‘the most enduring and best known of all Ealing’s comedies, in which the sheer blackness of the central concept is barely disguised by the accomplished farce which surrounds it’ THE LADYKILLERS (1955) 12.55pm

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  19. Jan 19

    Sat Jan 23: Watch Scorsese’s modern classic RAGING BULL 10.55pm and order ’s much-anticipated exclusive ‘Making of’ book ...

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  20. Retweeted
    Jan 12

    : Tue Jan 19 — ‘Off-the wall humour and some sensational sight gags ... a truly astonishing piece of work.’ Michael Keaton is the Other, the repressed that returns ... astonishing performance in BEETLEJUICE Sky Greats 6.15pm

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