Warhol incubated Basquiat. A generation after his death, the project is complete. This is part of what it means to be an artist, I suppose.
Warhol started the 60s: high and low/up down and down town. We have yet to escape this. We are still living in the 60s.
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Warhol, being completely open to the world, was in his way schizophrenic. The Factory itself was completely open to the world.
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The Factory was not unlike many commune experiments in the 1960s. And it had the same destructive energy. Warhol was at the centre: both devil and saint.
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Warhol is portrayed as a vampire “Draella” (Dracula+Cinderella). But the people who surrounded him were there to feed off his fame and energy, they were the vampires. Warhol, indifferent to suicides, knew it was pointless to try and save people—only save yourself.
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Notably, Warhol was saved because of his fame after the assassination attempt by Solanas. The doctors would have given up otherwise, which makes you think about how many people die because the doctors give up.
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Warhol saw life before the shooting as like watching TV. Afterwards, he was not sure if he was dead or alive. It is only closeness to death that can bring us back to reality, but reality will feel unreal.
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Business is art and art is business. Warhol would have got along with Trump, the art of the deal—indeed.
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