5. So far as I can remember, the show didn’t have a sympathetic gay character—that would be different today. In fact, the show features an unsympathetic fey and camp character. In this respect, it doesn’t reflect contemporary social justice themes—but it’s very close.
3. I do think it’s a sign of industries in decline, although part of me thinks it’s just my age (i.e. there was someone my age now in 1994 watching “Maid Marian and Her Merry Men” thinking “My God, this is outrageously weirded/political correctness gone mad.”
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4. The idea of unavoidable and universal decline isn’t settling. But, on the other hand, I suppose it’s a bit like painting the Forth Bridge, once you finish you have to start again bc the first bit has declined. Endless re-painting to fight entropy.
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