PhD student writing on Thomas Pynchon and the Posthuman Gothic. Literary & critical theory, aesthetics, ecology. All views are my own, etc. 
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Currently reading McKenzie Wark on Paul B. Préciado: "It’s a squishy version of Deleuze’s ‘control society’ thesis: [...] This is the age of the soft machine. There’s a new regime of power more sophisticated than what Foucault called the disciplinary."http://www.publicseminar.org/2013/12/testo-junkie-by-beatriz-preciado/ …
Préciado via Wark: “Gender isn’t just performative at the level of gesture and language, but also via a kind of biomimicry or biodrag. [...] Perhaps we all do biodrag [...] of the Platonic gender ideals, propping up our bodies with chemical assistance as much as dress codes.”pic.twitter.com/TuqASXHkLc
![k a t o s h i 🏴 [giving away dark doom honey]](https://pbs.twimg.com/profile_images/1048624392140406784/s7Qh-6zA_normal.jpg)
There is no natural sex; no Platonic ideal beneath the performance. Wark: “The innovation of Préciado’s work is to insist so thoroughly that all of sex, gender and identity are on the same level, all produced industrially, and by the same means.”pic.twitter.com/zSztxCBmbT
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