PhD student writing on Thomas Pynchon and the Posthuman Gothic. Literary & critical theory, aesthetics, ecology. All views are my own, etc. 
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In the fin-de-siècle Gothic novel, two visions of the city: a swirling chaosmos, or an infernal machine. The one feeds into the other, as the disorder is discovered to mask a “relentless mechanism that invisibly controls the hapless, doomed urban subject” (Hurley 1996, 165).pic.twitter.com/Ab0YlWfxYw
