PhD student writing on Thomas Pynchon and the Posthuman Gothic. Literary & critical theory, aesthetics, ecology. All views are my own, etc. 
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The Gothic is at heart ambivalent toward its subject matter, which is occluded and disavowed as much as it is revelled in: “While the genre manifests horror and nausea at every turn,” it also exhibits “a form of delirium” in which pleasure and shock intermingle (Hurley 1996).pic.twitter.com/Fk9mj3MZdS
