PhD student writing on Thomas Pynchon and the Posthuman Gothic. Literary & critical theory, aesthetics, ecology. All views are my own, etc. 
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The Gothic cannot be reduced to a style that produces “fear and desire” or a “vague synonym for everything transgressive or morbid” (Fisher 1999, 16). At its core is not a mere discursive disturbance of boundaries, but a material dissolution ahead of the theories applied to it.pic.twitter.com/Mss26Nenpp
