Does he continue on what this means for aesthetics? It's very interesting. I can align some of what I've written to this...
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Deleuze is primarily interested in expressive metaphysics rather than aesthetics in this book. But in many ways it presages his examination of Worringer’s “Gothic line” in ATP and Francis Bacon. Pure immanence = the inorganic (un)life of matter unfolding in myriad new forms.
End of conversation
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