Fun writing problem today: I'm writing lots of small encounters with a character. Carefully walking the line between being true to their voice versus making them predictable/1-note! They need to act in a certain range, but not always in a certain exact way, or they'll be boring!
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This is what I call Indiana Jones or Simpsons writing. It's sometimes hard as a writer to imagine a static set of traits as interesting after writing a bunch of scenarios around them but your perspective is SO not the readers'. Trust the fun.
Bedankt, Twitter gebruikt dit om je tijdlijn te verbeteren. Ongedaan makenOngedaan maken
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Yay! That’s all
@monsterprom, where narrative is semi-procedural and almost any event can be the 1st or the 300th. There are ways of writing around that, tho. -
Best is working with semantic territories to work around + a handful of tones for the char. It isn’t that a char can never be happy, but their happiness should be built in a way that’s consistent and recognizable
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