The creativity in each page of Little Nemo makes me regret that Winsor McCay has never had access to modern tools to go even further in his overflowing imagination :pic.twitter.com/j5PqSWg2yR
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French Concept artist/Art director of @UmeshuLovers, working on Forest of Liars (formerly Guerrilla Games, Rocksteady, Ubi, Dreamworks) http://tohad.artstation.com
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The creativity in each page of Little Nemo makes me regret that Winsor McCay has never had access to modern tools to go even further in his overflowing imagination :pic.twitter.com/j5PqSWg2yR
I think I understand your point, but in fact the newspapers of McKay's time put far better technology into their comic pages than ours do today. Better printing, more color, much more page area. Only in animation was he really at a loss compared to today.
I can assure you 3D and 2D softs are a real new worl for production. It's real confort for an artist when you want to correct or try various point of view and details.
Granted. Today's tools are welcome and versatile. But I still feel you may be underestimating the wealth of tools and procedures that a trained commercial artist of McKay's time, with the resources of a major newspaper chain (which he worked for), had at his disposal.
Granted :) But I still feel you may be underestimating the power of the CG to improve visual development and R&D. I'm sure if McKay, Rembrandt, or Frederic Edwin Church would have been delighted to have access to tools as powerful as ours to test new things.
Creativity does not depend on tools, but several tools offer several voices to creativity.
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