The creativity in each page of Little Nemo makes me regret that Winsor McCay has never had access to modern tools to go even further in his overflowing imagination :pic.twitter.com/j5PqSWg2yR
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I can assure you 3D and 2D softs are a real new worl for production. It's real confort for an artist when you want to correct or try various point of view and details.
Granted. Today's tools are welcome and versatile. But I still feel you may be underestimating the wealth of tools and procedures that a trained commercial artist of McKay's time, with the resources of a major newspaper chain (which he worked for), had at his disposal.
Granted :) But I still feel you may be underestimating the power of the CG to improve visual development and R&D. I'm sure if McKay, Rembrandt, or Frederic Edwin Church would have been delighted to have access to tools as powerful as ours to test new things.
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