Few speed painting I made this year, around 2 and 3 hours of work per illustration : https://tohad.artstation.com/albums/65609 pic.twitter.com/owq9q6Jj1F
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French Concept artist/Art director of @UmeshuLovers, working on Forest of Liars (formerly Guerrilla Games, Rocksteady, Ubi, Dreamworks) http://tohad.artstation.com
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Few speed painting I made this year, around 2 and 3 hours of work per illustration : https://tohad.artstation.com/albums/65609 pic.twitter.com/owq9q6Jj1F
People ask me how to be quick to produce speed painting. It's always more easy for me when I don't have any constraints by studio instruction, I just let the accident create the base of the composition. This video of Feng Zhu is a good exemple :https://www.youtube.com/watch?v=oOLHXEztgbk&t=2654s …
And to be honest, when I do this type of exercices, I don't know what I'm doing during the first 15 minutes :) It's absolutly not the same process to produce commissioned concept art or marketing art, it could take between 2 and 5 days for only one illustration ^^
Du coup est-ce que ça t'arrive parfois de partir de photos pour en extraire certains détails comme dans la vidéo que tu as posté ? Tu fais des lives parfois ?
Même si je n'ai pas de techniques générale, oui il m'arrive de démarrer avec une photo que je floute, déforme pour avoir une grosse base de nuance de couleurs qui seront explosé en suite pas plein de réglages à tâtons. Exemple ici entre la base d'inspiration et le résultat :pic.twitter.com/PSCvDC7GQb
C'est fou, j'adorerais te voir bosser. Je suis assez estomaquée de lire que pour chaque illu tu n'as bossé "que 2/3h" pour de tels résultats...
C'est marrant car en masterclass, les 15 minutes c'est le stress car je pars dans des directions complètement random et les élèves/public me regardent en mode "heu...". Fur à mesure la composition se fait et le processus apparaît et la performance apparaît ^^
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