Few speed painting I made this year, around 2 and 3 hours of work per illustration : https://tohad.artstation.com/albums/65609 pic.twitter.com/owq9q6Jj1F
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French Concept artist/Art director of @UmeshuLovers, working on Forest of Liars (formerly Guerrilla Games, Rocksteady, Ubi, Dreamworks) http://tohad.artstation.com
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Few speed painting I made this year, around 2 and 3 hours of work per illustration : https://tohad.artstation.com/albums/65609 pic.twitter.com/owq9q6Jj1F
People ask me how to be quick to produce speed painting. It's always more easy for me when I don't have any constraints by studio instruction, I just let the accident create the base of the composition. This video of Feng Zhu is a good exemple :https://www.youtube.com/watch?v=oOLHXEztgbk&t=2654s …
And to be honest, when I do this type of exercices, I don't know what I'm doing during the first 15 minutes :) It's absolutly not the same process to produce commissioned concept art or marketing art, it could take between 2 and 5 days for only one illustration ^^
Du coup est-ce que ça t'arrive parfois de partir de photos pour en extraire certains détails comme dans la vidéo que tu as posté ? Tu fais des lives parfois ?
Même si je n'ai pas de techniques générale, oui il m'arrive de démarrer avec une photo que je floute, déforme pour avoir une grosse base de nuance de couleurs qui seront explosé en suite pas plein de réglages à tâtons. Exemple ici entre la base d'inspiration et le résultat :pic.twitter.com/PSCvDC7GQb
Sachant que là c'est l'exemple le plus visible, la plupart du temps je peux partir sur une photo d'abre et ça devient une ville sur futur sans végétation. C'est la base couleur qui m'aide à démarrer la création par accident.
Quand au live oui, j'en fait de plus en plus régulièrement lors de masterclass où j'ai été invité, et j'ai aussi fait ça pour des concerts et autre inauguration. Mais jamais sur le net car je fais trop d'échange mail/client en même temps que mes dessins pour que ça passe en vidéo
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