Couple peeps in DMs have been skeptical about whether you get anything productive out of framing art in terms of predictive cognition. I think my wild hope would be a new emphasis on the dynamic, temporal experience an artwork provides...https://twitter.com/suspendedreason/status/1221597061826719749?s=20 …
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The way that there's a changing, morphing set of audience expectations, beliefs, predictions, etc about the work which are being actively manipulated to create a hermeneutic experience—that the act of interpretation itself replaces traditional plot as a kind of narrative.
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I also think a lotta online folks unhappy with contemporary art have argued it should be involved in a very different project (e.g. emphasizing beauty) than it is. That's a legit argument, but usually skips trying to understand the avant project in its strongest incarnation.
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& I wonder if what contemporary art needs more than anything is a coherent narrative of itself, so it can be the best version of itself.
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One benefit of the "gaming audience's predictive structures" frame is it draws a through-line from the likes of, on one hand, Cubist painting/Dada/modernism's "make it new" (which opened 20th C) through the happenings, psychedelia, & conceptual work of the midcentury...
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...& finally to the social justice-oriented/activist art which defines contemporary production. All these movements are preoccupied with perception, disruption, and disrupting perception: in other words, manipulating our predictive schemas.
Čini se da učitavanje traje već neko vrijeme.
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