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Prikvačeni tweet
Culling many thousands of interactions I have come to the overwhelming conclusion that 26 is the peak year for human males
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David Shrigley's drawings are a lil precious but also really greatpic.twitter.com/MomyqMqMgW
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Suspended Reason proslijedio/la je Tweet
did a french person write this
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“Electronic communication is one means by which the very idea of public life has been put to an end” lmaooo what
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Also, MAJOR shoutout to me n
@ctbeiser's boy John Dewey. Guy is a friggin icon of aesthetics and yet I've never met an art history student who had read him:pic.twitter.com/O3Hz3wb3CV
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Finally got around to writing up a blog post explaining me n
@graph_paper_ 's paper "Predictive Hermeneutics" in a more accessible (and much shorter) way!https://carcinisation.com/2020/02/01/hold-on-what-sense-making-sense-breaking-in-modern-art …Prikaži ovu nitHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
who's gonna invite me on a podcast I've been waiting my whole li
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Suspended Reason proslijedio/la je Tweet
every seemingly innocent fragment of information is secretly plotting how to escape its context and cause trouble
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Someone has pointed out I am a "Man Without Qualities"
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Trying to figure out if this is a common experience
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I don't understand Myers Briggs; every question I'm like "it depends on the situation," and then at the end it gives 51/49% in every category
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...& finally to the social justice-oriented/activist art which defines contemporary production. All these movements are preoccupied with perception, disruption, and disrupting perception: in other words, manipulating our predictive schemas.
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One benefit of the "gaming audience's predictive structures" frame is it draws a through-line from the likes of, on one hand, Cubist painting/Dada/modernism's "make it new" (which opened 20th C) through the happenings, psychedelia, & conceptual work of the midcentury...
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& I wonder if what contemporary art needs more than anything is a coherent narrative of itself, so it can be the best version of itself.
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I also think a lotta online folks unhappy with contemporary art have argued it should be involved in a very different project (e.g. emphasizing beauty) than it is. That's a legit argument, but usually skips trying to understand the avant project in its strongest incarnation.
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The way that there's a changing, morphing set of audience expectations, beliefs, predictions, etc about the work which are being actively manipulated to create a hermeneutic experience—that the act of interpretation itself replaces traditional plot as a kind of narrative.
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Couple peeps in DMs have been skeptical about whether you get anything productive out of framing art in terms of predictive cognition. I think my wild hope would be a new emphasis on the dynamic, temporal experience an artwork provides...https://twitter.com/suspendedreason/status/1221597061826719749?s=20 …
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Unfortunately the factoring of that project is all muddled, and confused, and they never quite had the metaphoric scaffolding to slide it into place. This is where our paper comes in! (above)
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