Suspended Reason

@suspendedreason

"Not a person I would trust about anything." // Flesh into binary. // Small press; link in bio.

NYC
Vrijeme pridruživanja: rujan 2014.

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  1. Prikvačeni tweet
    1. stu 2019.

    Culling many thousands of interactions I have come to the overwhelming conclusion that 26 is the peak year for human males

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  2. David Shrigley's drawings are a lil precious but also really great

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  3. proslijedio/la je Tweet
    1. velj
    Odgovor korisniku/ci

    did a french person write this

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  4. 1. velj

    “Electronic communication is one means by which the very idea of public life has been put to an end” lmaooo what

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  5. 1. velj

    rock's great comeback

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  6. 1. velj

    Also, MAJOR shoutout to me n 's boy John Dewey. Guy is a friggin icon of aesthetics and yet I've never met an art history student who had read him:

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  7. 1. velj

    And here's a paragraph I particularly like:

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  8. 1. velj
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  9. 1. velj

    Finally got around to writing up a blog post explaining me n 's paper "Predictive Hermeneutics" in a more accessible (and much shorter) way!

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  10. 30. sij

    who's gonna invite me on a podcast I've been waiting my whole li

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  11. proslijedio/la je Tweet
    29. sij

    every seemingly innocent fragment of information is secretly plotting how to escape its context and cause trouble

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  12. 27. sij

    Someone has pointed out I am a "Man Without Qualities"

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  13. 27. sij

    Trying to figure out if this is a common experience

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  14. 27. sij

    I don't understand Myers Briggs; every question I'm like "it depends on the situation," and then at the end it gives 51/49% in every category

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  15. 27. sij

    ...& finally to the social justice-oriented/activist art which defines contemporary production. All these movements are preoccupied with perception, disruption, and disrupting perception: in other words, manipulating our predictive schemas.

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  16. 27. sij

    One benefit of the "gaming audience's predictive structures" frame is it draws a through-line from the likes of, on one hand, Cubist painting/Dada/modernism's "make it new" (which opened 20th C) through the happenings, psychedelia, & conceptual work of the midcentury...

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  17. 27. sij

    & I wonder if what contemporary art needs more than anything is a coherent narrative of itself, so it can be the best version of itself.

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  18. 27. sij

    I also think a lotta online folks unhappy with contemporary art have argued it should be involved in a very different project (e.g. emphasizing beauty) than it is. That's a legit argument, but usually skips trying to understand the avant project in its strongest incarnation.

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  19. 27. sij

    The way that there's a changing, morphing set of audience expectations, beliefs, predictions, etc about the work which are being actively manipulated to create a hermeneutic experience—that the act of interpretation itself replaces traditional plot as a kind of narrative.

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  20. 27. sij

    Couple peeps in DMs have been skeptical about whether you get anything productive out of framing art in terms of predictive cognition. I think my wild hope would be a new emphasis on the dynamic, temporal experience an artwork provides...

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  21. 27. sij

    Unfortunately the factoring of that project is all muddled, and confused, and they never quite had the metaphoric scaffolding to slide it into place. This is where our paper comes in! (above)

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