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'When you act or speak spontaneously, you reveal your real self, as opposed to the self you’ve been trained to present.'
'The brain constructs the universe for us, so how is it possible to be ‘stuck’ for an idea? The student hesitates not because he doesn’t have an idea, but to conceal the inappropriate ones that arrive uninvited.'
‘Reading about spontaneity won’t make you more spontaneous, but it may at least stop you heading off in the wrong direction; and if you play the exercises with your friends in a good spirit, then soon all your thinking will be transformed.’
1/2: ‘The improviser has to understand that his first skill lies in releasing his partner’s imagination. What happens in my classes, if the actors stay with me long enough, is that they learn how their ‘normal’ procedures destroy other people’s talent.
2/2: Then one day they have a flash of satori – they suddenly understand that all the weapons they were using against other people they also use inwardly, against themselves.’
“We don’t know much about Masks in our culture ... because [it] is usually hostile to trance states. We distrust spontaneity and try to replace it by reason.”
“…we don’t realise how much of our lives is spent in some form of trance, i.e. absorbed. What we assume to be ‘normal consciousness’ is comparatively rare, it’s like the light in the refrigerator: when you look in, there you are ON, but what’s happening when you don’t look in?”
'To understand the Mask it's also necessary to understand the nature of trance itself'
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