D.K. Rehn  

@softdetours

Computing Arts • Net Culture • Media Studies • Cyberfeminism ✖︎ Director␥Producer␥Curator 〜𝘵𝘩𝘦𝘺/𝘵𝘩𝘦𝘮 ♀︎

Los Angeles, CA
Vrijeme pridruživanja: travanj 2007.

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  1. Prikvačeni tweet
    21. stu 2019.
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  2. proslijedio/la je Tweet
    25. sij
    Odgovor korisniku/ci

    Jahan Loh’s video installation, Intergalactic Dreams (2019), is equal parts energetic and pessimistic as a heroic space pilot tries to meet/outrun the end of the universe in a continuous loop. – mjesto: National Museum of Singapore

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  3. proslijedio/la je Tweet
    21. sij
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  4. 14. sij

    Isolated Selections from “Strange Attractors” <2013, D.K. Rehn + Sarah Caluag>

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  5. 13. sij
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  6. 23. pro 2019.

    Wishing you peace, love, and happiness in the coming decade. Be good to yourself and those around you—that’s what it’s all about. ♡

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  7. proslijedio/la je Tweet
    8. ožu 2016.

    How To Machine Language / Micon Technical Books / 1987

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  8. 23. stu 2019.

    An alternate reality where ziggurats replace big-box retailers and pyramids replace shopping malls.

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  9. 21. stu 2019.

    𝘼 𝘿𝙚𝙘𝙡𝙖𝙧𝙖𝙩𝙞𝙤𝙣 𝙤𝙛 𝙩𝙝𝙚 𝙄𝙣𝙙𝙚𝙥𝙚𝙣𝙙𝙚𝙣𝙘𝙚 𝙤𝙛 𝘾𝙮𝙗𝙚𝙧𝙨𝙥𝙖𝙘𝙚 →

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  10. proslijedio/la je Tweet
    19. stu 2019.

    The kind of woman who sleeps with A/V gear at the foot of her bed

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  11. 17. stu 2019.
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  12. 15. stu 2019.

    “𝘉𝘭𝘢𝘤𝘬 𝘙𝘰𝘰𝘮 is a memory palace to which one can lose access simply by closing the wrong tab.” →

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  13. 5. stu 2019.

    Rudy Rucker on Cellular Automata (1990) • “Two-dimensional rules discussed include Langton's Worm, the Game of Life, Silverman's Brain, the Vote rule, the Rug rule, gas-simulating rules, and many others.” →

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  15. proslijedio/la je Tweet
    8. lip 2019.
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  16. 28. lis 2019.

    I often miss tactile UIs (that dimple on NeXTSTEP, the fine-tooth grooves on MacOS 8). Also, shout out to the Xerox Star for being the only with start/end of document buttons.

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  17. 28. lis 2019.

    Evolution of the Scrollbar • selections from 1981–2015 (click/touch, they work!) →

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  18. 23. lis 2019.

    The Connection Machine, designed by the brilliant , is now on display as part of ’s permanent collection. It’s also the most beautiful computer ever. →

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  19. 20. lis 2019.

    Contact: A Journal for Contemporary Music (1971-1990) →

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  20. 20. lis 2019.

    UK rave flyers (1991–94) that repurpose the same sci-fi/fantasy imagery that CG/3D album covers referenced as the decade wore on. (Thank you for sharing, !)

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