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  1. Shakira and J. Lo's halftime approaches were so different, so complementary, and so MUCH.

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  3. Taylor Swift's Netflix doc Miss Americana is good, sad, and reasserts "Call It What You Want" as elite tier!

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  4. "Television, like Janet’s experience of time, isn’t linear anymore. At any point, any viewer can return to any episode of The Good Place, any moment, any reaction gif or Florida gag or Getty sunset."

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  6. One of the reasons why The Good Place looks like The Good Place: a ban on the color red.

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    29. sij

    Wrote about the no-good, very-bad, not-at-all-about-wellness-whatever-it-says return of The Biggest Loser

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  9. Billie Eilish definitely deserves Grammys, but it's worth thinking about why she won All The Grammys.

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  11. "The good news is that it fits you. The bad news is that it fits inside a Walmart commercial, too. And what does that say about you? Maybe you shouldn’t worry about it."

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  13. The Recording Academy wants a mudfight about management styles, but Deborah Dugan has turned focus to the Grammys' deep and longstanding issues.

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  16. RuPaul's Netflix show, "AJ and the Queen," feels like something you'd shruggingly rent from Blockbuster in 1996 but stretched over 10 hours. Yes, I watched it all.

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    13. sij

    The 2020 Oscar nominations are here: breaks down the Academy's love for "Joker," "Once Upon a Time in Hollywood," "The Irishman," and "1917"—and its snubbing of female directors and actors of color.

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  20. "If they appear erratic, or act in ways that don’t seem to conform to long-standing ideas about victimhood, the response is often to doubt their overall credibility rather than to consider how their behavior might be affected by trauma and stress."

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