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  1. 15 Jul 2013

    That's a wrap from & The Dag Factor this evening! For more info on Professor Emery Schubert's work:

  2. 15 Jul 2013

    Q: Is Common Coding basically an algorithm for Active Memory? Characteristically maths is similar to music.

  3. 15 Jul 2013

    Q: How can we maximise audiences pleasure of music as a musician? A: It's subjective, but stems from familiarity with the music.

  4. 15 Jul 2013

    This is why with The Dag Factor we're able to 'capture' a contagious emotion in music as we do when naturally smiling...

  5. 15 Jul 2013

    The Cognitive Model: Observation > Perception > Action = Mimicry

  6. 15 Jul 2013

    How do common coding theories explain this? Theorists argue that perception triggers the same cognitive flows that cause the action

  7. 15 Jul 2013

    Whether felt emotions match with expressed emotions is determined on a case-by-case scenario. Demonstrated by the ranking exercise.

  8. 15 Jul 2013

    James Russell looks at the 2D model of emotion. High Arousal: astonishment/excitement. Low Arousal: lethargy/depressing.

  9. 15 Jul 2013

    These different references to music conjure both positive and negative connections/relationships to music. These rels are natural.

  10. 15 Jul 2013

    What aspects do we like about music? Characteristics/features versus sounds/tones. Two different yet inter-related factors.

  11. 15 Jul 2013

    1 min to go until we go live from tonight's 'Why We Like Music with Contagious Emotions' with Professor Emery Schubert from !

  12. 14 Jul 2013

    Want to learn why music & emotion is contagious? We'll be live-tweeting from this eve at 6pm! Follow us to join the conversation!

  13. 17 Jun 2013

    And that's a wrap! Thanks so much for joining us for tonight. Want to hear the talk in full? The podcast will be uploaded tomorrow.

  14. 17 Jun 2013

    Q: Classical/Instrumental music versus popular music. Is there a different in the benefits? Does one enhance emotion more or less?

  15. 17 Jun 2013

    The sounds made by Chenhall and the Shakuhachi induced a wave of calmness. Agreed upon by Professor Thompson and the audience.

  16. 17 Jun 2013

    Yes. These musical & emotional signals are able to transcend cultural boundaries due to their universal characteristics & tones.

  17. 17 Jun 2013

    From health to culture. The question now is... Are these overlaps similar across cultural boundaries? Emotionally? Linguistically?

  18. 17 Jun 2013

    What about people with an impaired sensitivity to music? Those that are tone deaf? A musical impairments study looks at this

  19. 17 Jun 2013

    Why do musical sequences induce emotion? Langer argues because their form is similar.

  20. 17 Jun 2013

    He contrasted language in warm/cold climates. In warmer climates its closer to melodic roots. In colder its more scientific/logical

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