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That's a wrap from
#MRCMOTM & The Dag Factor this evening! For more info on Professor Emery Schubert's work: http://ow.ly/mXGBX -
Q: Is Common Coding basically an algorithm for Active Memory? Characteristically maths is similar to music.
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Q: How can we maximise audiences pleasure of music as a musician? A: It's subjective, but stems from familiarity with the music.
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This is why with The Dag Factor we're able to 'capture' a contagious emotion in music as we do when naturally smiling...
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The Cognitive Model: Observation > Perception > Action = Mimicry
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How do common coding theories explain this? Theorists argue that perception triggers the same cognitive flows that cause the action
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Whether felt emotions match with expressed emotions is determined on a case-by-case scenario. Demonstrated by the ranking exercise.
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James Russell looks at the 2D model of emotion. High Arousal: astonishment/excitement. Low Arousal: lethargy/depressing.
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These different references to music conjure both positive and negative connections/relationships to music. These rels are natural.
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What aspects do we like about music? Characteristics/features versus sounds/tones. Two different yet inter-related factors.
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Want to learn why music & emotion is contagious? We'll be live-tweeting from
#MRCMOTM this eve at 6pm! Follow us to join the conversation! -
And that's a wrap! Thanks so much for joining us for
#MRCMOTM tonight. Want to hear the talk in full? The podcast will be uploaded tomorrow. -
Q: Classical/Instrumental music versus popular music. Is there a different in the benefits? Does one enhance emotion more or less?
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The sounds made by Chenhall and the Shakuhachi induced a wave of calmness. Agreed upon by Professor Thompson and the audience.
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Yes. These musical & emotional signals are able to transcend cultural boundaries due to their universal characteristics & tones.
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From health to culture. The question now is... Are these overlaps similar across cultural boundaries? Emotionally? Linguistically?
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What about people with an impaired sensitivity to music? Those that are tone deaf? A musical impairments study looks at this
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Why do musical sequences induce emotion? Langer argues because their form is similar.
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He contrasted language in warm/cold climates. In warmer climates its closer to melodic roots. In colder its more scientific/logical
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