Writing from a broad outline is much the same as pantsing on the micro level. Great, I have overall shape and structure. Great, I know what's gonna happen vaguely in the chapter, but it still feels too nebulous and blank-pagey. It's still intimidating.
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Outlines are awesome, and they can do wonders for your work. But what I would recommend is outlining individual scenes before you write them, identifying the conflict, blocking out the setting (especially things characters will interact with), planning how it changes in advance.
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You CAN go into that much detail in your outline upfront -- you might find it helpful to do so -- but I feel this slows down my outlining process, makes me impatient. It takes so much longer. Better IMO to note the key/necessary beats and how each character feels about them.
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On the other hand, deciding the more intricate details of a scene JUST before I write it gives me enough confidence and excitement and enough of a clear mental image to conquer blank-page terror and blast it out in a way that feels satisfying, structured and shapely.
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TL;DR, my opinion of the ideal writing process: 1. Broad outline to shape the narrative, broken down into key beats with notes re: change in character feelings/motivations. 2. Just before you write, use the outline to block out the imminent scene(s). 3. Write and repeat!
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Maybe what all of you are doing already and I'm just slow on the uptake, but just in case it helps anyone struggling with the blank page like I did in the past. This is a new approach for me (with prose anyway) and it's helping massively!
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If outlining the entire novel is following a map and outlining individual scenes before you write them is like walking through the dark with a torch, this approach is a combination of both. You've got a map, and you can see far enough ahead of you to walk confidently.
Wydaje się, że ładowanie zajmuje dużo czasu.
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MCV 30 Under 30 2021