Narrative Designer at @SumoDigitalLtd Notts 
MCV 30 Under 30 2021 She/her. This is a personal account and views expressed are mine alone.
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Because, for whatever reason, it probably WAS the best available, viable option. We devs are hired because we’re good at what we do; we’re often gamers too, and we passionately want to make games we and others will enjoy. If we can do it, we will. But sometimes we can’t.
If you haven’t worked on a game like the one you’re planning to criticise, realise that you’re gonna be making a lot of (probably unfair and incorrect) assumptions about something you know absolutely nothing about.
That doesn’t mean feedback and constructive criticism is a bad thing. We need you to tell us what you do and don’t like, what you want instead. What I’m saying is, please don’t make assumptions about why you didn’t get it unless you have the insight and experience to back it up.
One last thing: please also be respectful to the developers who will have worked hard and poured their passion and themselves into the game you’re playing, who did the best they could and really, really hoped you’d love it, and who probably do read your feedback. Sarah out.
I feel like most of the criticisms are about the little plot inconsistencies, and I think that these criticisms are valid because sometimes the plot line feels a little all over the place.
Valid, but I think people underestimate the complexity of the issue. We’re taking about a game where you can be with one of several dudes at different times and in different orders, where all your relationships are variable, and where we have to plan narratives for the NPCs...
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