Going through Leonardo & Michelangelo's works and showing what they were copying—picked Michelangelo especially as shorthand for "genius"
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En réponse à @sarahjeong
"The copy is never slavish" she says, and points out that many of the works that are getting copied are actually out of fashion
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En réponse à @sarahjeong
"Basically undetected for his contemporaries" exactly because it was so out of fashion
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En réponse à @sarahjeong
Showing how Michelangelo moved from literal actual forgery of ancient Roman sculpture (!!!) to his later style
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En réponse à @sarahjeong
"Copying also happened because his patrons asked for it"
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En réponse à @sarahjeong
Now looking at Michelangelo's architecture with compare/contrast of what it was copying from
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En réponse à @sarahjeong
The copying was considered desirable and prestigious and creating a connection to the past.
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En réponse à @sarahjeong
Knowledge about existing architecture was being drawn and accumulated into books, and being diffused among Michelangelo & contemporaries
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En réponse à @sarahjeong
Ana Miljacki from the school of architecture at MIT now speaking and straight up beginning by talking about copyleft
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#connectedfutures
I'm at 12:30, a panel on the gig economy & algorithms at 2:15, and panel on renewable energy at 3:45
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Nouvelle conversation -
Le chargement semble prendre du temps.
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