@nicolecallahan @a_multiracial @cayden I like it because it situates the play in the time of the original production
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En réponse à @sarahjeong
@nicolecallahan @a_multiracial@cayden and also is kind of frank with the ignorance of Gilbert while he writes it1 réponse 0 Retweet 3 j'aime -
En réponse à @sarahjeong
@nicolecallahan @a_multiracial@cayden and there’s something interesting about Orientalist costuming/make-up when it’s literally Victorian1 réponse 0 Retweet 2 j'aime -
En réponse à @sarahjeong
@nicolecallahan @a_multiracial@cayden I guess the thing I appreciate about it is that the context makes it absolutely about White People1 réponse 0 Retweet 2 j'aime -
En réponse à @sarahjeong
@nicolecallahan @a_multiracial@cayden but it also silences the voices of Japanese people in a really uncomfortable way1 réponse 0 Retweet 2 j'aime -
En réponse à @sarahjeong
@nicolecallahan @a_multiracial@cayden Like this scene is probably the worst: https://www.youtube.com/watch?v=S647is8rvvM …1 réponse 0 Retweet 0 j'aime -
En réponse à @sarahjeong
@nicolecallahan @a_multiracial@cayden but it’s “the worst” in a way that’s not, like, apologia?1 réponse 0 Retweet 1 j'aime
@nicolecallahan @a_multiracial @cayden in any case, I recommend! It’s beautifully shot and I think it’s at least appropriately complicated
Le chargement semble prendre du temps.
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