@CathyGellis @alisternburg How does reducing compulsory license rates help artists?
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En réponse à @sarahjeong
@sarahjeong@alisternburg It's not the rates so much, it's the license itself. Everyone is trapped in system whether good for them or not.2 réponses 1 Retweet 1 j'aime -
En réponse à @CathyGellis
@CathyGellis@alisternburg Yes. But fact remains that artists are getting checks from SoundExchange, & those amts will be reduced by IRFA.3 réponses 0 Retweet 0 j'aime -
En réponse à @sarahjeong
@sarahjeong@CathyGellis there'll be more competition and new entrants because VCs will invest, leading to more revenue sources for artists1 réponse 0 Retweet 0 j'aime -
En réponse à @alisternburg
@alisternburg@CathyGellis I wish I believed that! I think the greater chilling effect has been years of litigation, not compulsory licenses1 réponse 0 Retweet 0 j'aime -
En réponse à @sarahjeong
@sarahjeong@alisternburg That too... But BTW, we're still litigating the webcasting licenses for 2010-2015. And have been since *2009*!1 réponse 0 Retweet 0 j'aime -
En réponse à @CathyGellis
@CathyGellis@alisternburg Good lord, I remember in 2012 everyone was like "we'll be done with this soon"1 réponse 0 Retweet 0 j'aime -
En réponse à @sarahjeong
@sarahjeong@alisternburg Actually, the rates from 2005-2009 are also still being litigated...1 réponse 0 Retweet 1 j'aime -
En réponse à @CathyGellis
@CathyGellis@alisternburg I don't know if there is anything excpt sign. Copyright Act reform that can encourage VC investment in music tech1 réponse 0 Retweet 0 j'aime -
En réponse à @sarahjeong
@sarahjeong@CathyGellis awesome! I don't think tech-neutral leg impossible, although will also prob involve broadcast performance royalties1 réponse 0 Retweet 0 j'aime
@alisternburg @CathyGellis Yes. It is pretty weird to legislate around an industry that is simultaneously very captured & very disrupted
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