Rasmus Andersson

@rsms

Design . Previously , , founding member

San Francisco
Vrijeme pridruživanja: ožujak 2007.

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  1. proslijedio/la je Tweet
    prije 8 sati

    Around this time last year, Figma Chicago didn't really exist and had 0 members. W/some hard work, dedicated local folks and a little luck, we've grown to almost 400. I'll be at 's on Thurs, come find me if you want to chat about running a user group! 🤗

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  2. prije 21 sat
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  3. prije 22 sata

    World: Football is the sport where your foot kicks a ball. USA: Football is the sport where your hands hold an egg. Clearly we need to spread the good word that “handegg” is the more appropriate name for the North-American sport.

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  4. 2. velj

    Little trivia on a day like today

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  5. proslijedio/la je Tweet
    2. velj

    This is why I always err on the side of taking a stand. A clear position is a place where we can explore the argument. Falling back on “it depends” or “it’s all about trade-offs” is a way to shut it down. It’s what you say when you don’t want to risk saying anything at all.

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  6. proslijedio/la je Tweet

    I didn't like the 2020 wall calendar I had at home, so I made a new one in using the typeface Inter from . The DrawBot source for the 8.5x11 pdf is on my GitHub here:

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  7. proslijedio/la je Tweet
    2. velj

    Love that has public profiles now. Just published the abbreviated history of browsers chart I produced last year with the crew:

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  8. 2. velj

    I’m done for today. Here’re some samples (with regular Inter at the top row for comparison.) View large.

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  9. 1. velj

    Here’s a VERY EARLY build of the Regular weight, if anyone would be curious to take it for a test drive.

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  10. 1. velj

    WIP of m, n, u, z, v, w, r

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  11. 1. velj
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  12. 1. velj

    Tightened up the width of the a little bit and worked the details of the top curves.

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  13. 1. velj

    p, b, q and a coming along

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  14. 1. velj

    Making some progress. Adjusted spacing for this display family and slowly working my way through some foundational glyphs.

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  15. 1. velj

    Twteeters, what do we think? The looser “c” in line A or the tighter one in line B? I think I like B better (with some future refinements to the smoothness of the curves.) I find “c” tricky—I want to match it’s terminals to s and e, but in practice it’s rarely a good idea.

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  16. 1. velj

    With an o and s that I’m happy with, it’s now time for some derivatives, like e and c

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  17. 1. velj

    I always find it tricky getting the o and s to vibe with each other. The s should really be a little narrower. When in context of words it looks much less weird. But I find that aiming for the s to “fit inside” the o is a good starting point.

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  18. 1. velj

    Before/after GIF. There’s still work to be done with this letterform, like the inner curve at the top, and not to speak about all the five instances that needs to be drawn, but this is pretty much how I draw a letter. Spacing and kerning happens separately.

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  19. 1. velj

    Then we move on to adding contrast. Vertical lines appear thicker than horizontal lines to the human brain, so even though Inter uses almost zero optical variation in stroke, we still need to thicken vertical parts and/or thin out horizontal stems.

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  20. 1. velj

    Now to some initial cleanup after the stroke outline. Removing unnecessary vertices is crucial when making multiple-master fonts as you’ll be committing to these for the same glyph across all your “masters.”

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