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Ian continues the series with an exploration of the 4 subject positions of worlding and their mutual chemistry. Worlding Raga: 4 – Who Worlds?https://www.ribbonfarm.com/2019/04/02/worlding-raga-4-who-worlds/ …
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In which @vgr applies @eyecheng definition of worlding to Terry Pratchett's Discworld. Worlding Raga: 3 -- Slouching with god.https://www.ribbonfarm.com/2019/03/14/worlding-raga-3-slouching-with-god/ …
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In which
@vgr tries to top the@eyecheng 2x2, and asking a parallel top-level question. Worlding Raga: 5 -- World How?https://www.ribbonfarm.com/2019/04/25/worlding-raga-5-world-how/ …Prikaži ovu nit -
In which
@eyecheng offers up a wonderfully weird bit of speculative design fiction in the spirit of#refactorcamp2019 Worlding Raga 6: World to Livehttps://www.ribbonfarm.com/2019/06/18/worlding-raga-6-world-to-live/ …Prikaži ovu nit -
In which
@vgr goes pararational on the edge of sanity. Worlding Raga 7: Worlds of Worldshttps://www.ribbonfarm.com/2019/09/04/worlding-raga-7-worlds-of-worlds/ …Prikaži ovu nit
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great article, as a huge discworld fan I'm absolutely going to go back and read 1 and 2 in this series. One note: the 'witches' DW stories engage directly with the idea that stories themselves (fairy tales, especially) are sort of parasitic lifeforms that latch on to events
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